2022
African Bird Dynasty White Columns

African Bird Dynasty at White Columns, New York is the first exhibition in the United States by Ntiense Eno-Amooquaye.

In October 2021 White Columns’ director Matthew Higgs encountered Eno-Amooquaye’s exhibition Art Deco Zebra Crossing at Flat Time House, London.

Eno-Amooquaye’s exhibition at White Columns expands upon Art Deco Zebra Crossing. African Bird Dynasty, is a group of four new large-scale wall hangings made for the exhibition that combine Shibori tie dyeing and hand screen printing. Each of the new wall-hangings will function as a backdrop to a scene to be performed by Eno-Amooquaye as part of a new film project that is currently in development.

2021
Art Deco Zebra Crossing - Flat Time House

Ntiense Eno-Amooquaye’s practice integrates the visual, written and spoken word through print, text, image and live performance. After two years in discussion with John Latham’s poetry, writing, and the domestic space of FTHo she brought these elements together for a new performance piece alongside a series of new paintings.

Central to the presentation is a stage set comprised of a velvet dressing screen and silk wall hangings that act as a backdrop for the performance of a poem written and performed by Amooquaye and presented here as a short film.

Central to the presentation is a stage set comprised of a velvet dressing screen and silk wall hangings that act as a backdrop for the performance of a poem written and performed by Amooquaye and presented here as a short film.

2014
Hera Master Come Down, Poetry Library Southbank Centre

For her first solo exhibition Ntiense Eno Amooquaye developed a new body of artwork and writing over a period of 12 months working in The Poetry Library. Her interest spanning a wide variety of poets in the collection including Anne Ryland, Joseph Butler, John Betjeman and Benjamin Zephaniah.  Including new large scale works on paper, a series of bookmarks installed within the collection and two new poems, performed to open the exhibition.

Developed as part of Artist Audio Recorder, an 18 month programme of artistic development and research undertaken by the artist including a new film commission and publication. Supported by Arts Council England, Grants for the Arts. An artists' book 'Artist Audio Recorder' published by Intoart accompanies the exhibition and events.

2017
1000 Patronen, Texture Museum Belgium

A group exhibition featuring the work of Ntiense Eno Amooquaye, alongside works by an international group of artists including Louise Bourgeois, Kimsooja, Emmanuella Flandre and Morton Feldman shown at the Texture Museum, Kortrijk, whose collections explore the heritage of the flax, lace and linen industry.

For 1000 Patronen, Amooquaye was invited by curators ‘Wit.h’ to exhibit hand screen printed works on linen and a printed silk dress. These works created the setting for her performance of a newly published collection of ‘Dress Poems’. Her poem ‘The Model’ addresses the image of the fashion model, ‘Standing on the stage/ She is Juliet/ Reading her own script.’ The second poem ‘Flax like an Ocean’ explores themes from Amooquaye’s wide reading about the history of linen and lace production and also the shared history of Europe, in particular the figure of Matilda of Flanders who became Queen of England in 1051.

2009
See the Revolutionary Art Exhibit, Whitechapel Gallery

An exhibition including artwork by Ntiense Eno Amooquaye, Mawuena Kattah, Doreen McPherson and Clifton Wright, curated by Marijke Steedman. A full catalogue of the exhibition, including text by writer and art historian Malcolm Buli, is available published by Intoart.

To Open the exhibition Ntiense Eno Amooquaye performed 'See Revolutionary Art Exhibit', a performance incorporating the live projection of Amooquaye writing out by hand a series of statements about the 'Revolutionary Art Exhibit' the relationship between text and image and presenting a series of 'New Words'. Film of this performance is available to watch HERE